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Piet Mondrian (1872-1944)

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01-10 mon mon mon mon mon mon mon mon mon mon
11-20 mon mon mon mon mon mon mon mon mon mon
21-30 mon mon mon mon mon mon mon mon mon mon

mon01 - Composition with red, yellow and blue (1921, Oil on canvas, 39 x 35 cm)
mon02 - Composition (1921-22)
mon03 - Composition with gray and light brown (1918)
mon04 - Composition with red, yellow and blue II (1927)
mon05 - Composition No.3 blanc-jaune (1935-1942)
mon06 - Composition No.10 (1921,Oil on canvas, 39 x 35 cm)
mon07 - Broadway Boogie Woogie (1942-1943)
mon08 - Composition No.10 (1939-1942, Oil on canvas, 80x73cm)
mon09 - Composition No.8 (1939-42, oil on canvas, 75x68cm)
mon10 - Vertical Composition with Blue and White (1936, oil on canvas, 121.3x59cm)
mon11 - Composition blanc, rouge et jaune (1936, oil on canvas, 80x62.2cm)
mon12 - Rhytm of Black Lines (1935/42, oil on canvas, 72.2x69.5cm)
mon13 - Composition No. III Blanc-Jaune (1935-1942, oil on canvas, 101x51cm)
mon14 - Composition with Yellow (1930, oil on canvas, 46x46.5cm)
mon15 - Composition with Yellow Patch (1930, oil on canvas, 46x46.5cm)
mon16 - Composition with Blue,Yellow,Black and Red (1922, oil on canvas, 53x54cm)
mon17 - Composition with Red, Yellow and Blue (1921, oil on canvas, 39x35cm)
mon18 - Composition with Large Bleu Plane, Red, Black, Yellow and Gray (1921,60.5x50cm)
mon19 - Composition A: Composition with Black, Red, Gray, Yellow and Blue (1920, 91.5x92cm)
mon20 - Place de la Concorde (1938-43, oil on canvas, 94 x 94.3cm)
mon21 - Composition with Blac, Red, Gray, Yellow and Blue (1921, oil on canvas)
mon22 - Composton with Grid IX (1919)
mon23 - Composition with White, Red and Blue (1936)
mon24 - Compostion of Red, Blue, Yellow (1939, 17 5/8 x 15 in)
mon25 - Place de la Concorde (1938-43, oil on canvas, 94 x 94.3cm)
mon26 - Composition in Blue and Yellow (1932)

Piet Mondrian's Place de la Concorde is a masterwork of the artist's mature style, a completely nonrepresentational art that he called neoplasticism. He established a dynamic balance between a system of horizontal and vertical black stripes and yellow, red and blue rectangular blocks of color. The black lines and areas they enclose are not standardized; each is carefully modulated with subtle differences in density and width. The linear network, neither rigid nor static, constitutes an animated and energetic pattern with irregular sequences.

The way in which a line stops or addresses adjacent lines or the edges of the composition is especially charged. Even with its geometric simplicity and balance, the composition seems to pulsate with the energy of the city it celebrates. It is eloquent testimony of Mondrian's enduring idealistic faith in the expressive power of a radically reduced vocabulary of vertical and horizontal lines, primary colors and planes.